The pack may also work with the old classic Glide64 plugin too, but I haven't tested other plugins. I use GlideN64, it's the best plugin if you have the hardware required to run it. But just know that to use this pack, it was created for the NTSC-U version of the game and you need either Project64 or Mupen alongside a supported graphics plugin. I'm not going to go into a long tutorial on how to set up the emulator and plugin, you can find this information easily online. So the textures are 4x the resolution of the already higher res Dreamcast assets, and often 8x the resolution of the N64 textures.
I then put the DC textures through an AI upscaler called ESRGAN using an algorithm called Fatality that was created for classic pixel art. These are generally 2x the resolution (or more) compared to the N64 textures, and also have better color depth (N64 ones are muddled and dithered by comparison).
For this project, I used the Dreamcast/PC textures as a basis for enhancement. N64 emulation allows users to dump textures from games and then load back in higher resolution ones. Also be sure to check out the multi-playergame found exclusively in the Dreamcast version of the game.I've been working on an N64 texture pack project for a while. Once they become available check back with our Rayman 2 guide for the complete walkthrough to the new levels. If you�re playing the Dreamcast version of Rayman 2 check the Ubisoft website at to download three new levels. So, sit back and get ready to master one of the most impressive 3D platformers ever. This guide will show you how to make it through the quest alive, and details the locations of the hardest to find Lums and cages in the game. Unlike its predecessor, the game is set in a full 3D environment, which will require mastery off all the various controls. That tradition continues with Rayman 2: The Great Escape.Īs with its predecessor, Rayman 2 is packed full of challenging levels as well as clever puzzles. The original Rayman was a fantastic 2D platformer loaded with challenge.
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